Production Sound Mixer · Singapore · Asia-Pacific
Emmy-nominated, and still your everyday sound man.
I am a Singapore-based production sound mixer with two decades of location work, from single-camera interviews in a meeting room to four months in the Langkawi rainforest.
Drama, documentary, corporate, interviews. One camera or twelve. Most days are the everyday kind: a small crew, a tight schedule and a room nobody planned to record in. Send me the job and the dates. Worst case I can't make it and point you at someone good.
Recent work includes Lord of the Flies (Netflix/BBC) and Monkey Man (Universal), alongside factual series, corporate films and documentary across the region. Full credits
Drama, documentary, corporate and interviews. One camera or twelve.
Send me the job and the dates. Worst case I can't make it and point you at someone good.
“Ande was brilliantly diligent on our adaptation of Lord of the Flies. He was meticulous with radio miking and provided a multitude of rainforest wild tracks recorded on location.”Marc Munden, Director
Showreel
People ask what the line at the top means. It means I do not fight the room. A waterfall, a market, cicadas, traffic, an air conditioner nobody can switch off: all of that is going to be there whether I like it or not. So I get the microphone close enough that the voice sits well above it, hold that position so the takes cut together, and record the place properly on its own so the edit can use it rather than fight it. The dialogue stays clean because the environment is working for the scene instead of on top of it.
Selected clips from recent international productions: clean dialogue, strong dynamic range, recorded where it happened.
What I do
Big or small, the track has to be clean and the edit has to be easy.
Small crews, real locations, no second take. Interviews, natural sound and follow-along across the region.
Documentary sound →Brand films, talking heads, internal comms. One day, one or two cameras, files to the editor the same day.
Corporate sound →Full department, full package, multi-camera and long schedules. Feature film and high-end television.
Drama sound →You have your own recordist and need kit. Wisycom RF, DPA, Sound Devices, with local support.
Dry hire →Say so early and say what it is. I would much rather be out on a job being useful than sitting at home waiting for a bigger one that may never call. Tell me the days, the format and what you have. If I can do it well at that number I will, and if I cannot I will say so without making it weird.
Recent work
Production map
Pre-production and active shoots across Australia, New Zealand and Southeast Asia. Updated every issue of The Wild Track.
New Zealand
Australia
Thailand
Australia
Base & mobility
Singapore-based · NZ citizen with full Australia & NZ work rights · 1–3 hours from every major ASEAN production centre.
Full drama package: Sound Devices, 12× Wisycom radios, DPA mics, two booms, timecode, comms. Airline-checkable; on set anywhere in the region within a day.
Insured worldwide, equipment and liability. Paperwork ready the day the deal memo lands.
The package hires out to productions and visiting mixers: Wisycom RF with local support from someone who knows the region's licensing.
The Wild Track
Quarterly. Ninety seconds. What's shooting in the region, one problem solved on location, and where I'll be.