🏆  2026 Emmy Nominee · Outstanding Sound Mixing · Lord of the Flies

Production Sound Mixer · HOD · Asia-Pacific

When the location pushes back, the sound stays clean.

Emmy-nominated production sound for international feature films and streaming.

I am a Singapore-based production sound mixer with two decades across feature films, high-end television and documentary, from the Langkawi rainforest to the volcanoes of New Zealand.

Directors and producers trust me to deliver clean, well-balanced location tracks under pressure, and to be the reliable handoff when international productions come to the region.

Most recently I mixed Lord of the Flies (Netflix/BBC, 2026 Emmy nomination, Outstanding Sound Mixing) and Monkey Man (Universal Pictures)

2026 Emmy Nominee · Lord of the Flies (Netflix/BBC)

Monkey Man (Universal) · Hunt for the Wilderpeople

Singapore base · 20 years · ANZ + ASEAN

“Ande was brilliantly diligent on our adaptation of Lord of the Flies. He was meticulous with radio miking and provided a multitude of rainforest wild tracks recorded on location.”
Marc Munden, Director

Showreel

Location sound, real conditions

Selected clips from recent international productions: clean dialogue, strong dynamic range, recorded where it happened.

Recent work

Feature film · high-end TV · documentary

2026

Lord of the Flies

BBC / NetflixDrama series★ Emmy nomination · Outstanding Sound Mixing
2024

Monkey Man

Universal PicturesFeature film
2022

Mr Midnight

NetflixTV series
2016

Hunt for the Wilderpeople

Piki FilmsFeature film
Full credits →

Production map

What is shooting across the region

Pre-production and active shoots across Australia, New Zealand and Southeast Asia. Updated every issue of The Wild Track.

Shooting now

Nak Muay

Thailand

Shooting now

Extraction 3

Australia

Shooting now

Queenstown

New Zealand

Shooting now

The Hunt for Gollum

New Zealand

Open the full map →

Base & mobility

Built to travel

Base

Singapore-based · NZ citizen with full Australia & NZ work rights · 1–3 hours from every major ASEAN production centre.

Package

Full drama package: Sound Devices, 12× Wisycom radios, DPA mics, two booms, timecode, comms. Airline-checkable; on set anywhere in the region within a day.

Cover

Insured worldwide, equipment and liability. Paperwork ready the day the deal memo lands.

Dry-hire

The package hires out to productions and visiting mixers: Wisycom RF with local support from someone who knows the region's licensing.

Ande Schurr mixing on location, coastal set, Southeast Asia
On location, where the notes come from.

The Wild Track

Location sound notes from Asia-Pacific

Quarterly. Ninety seconds. What's shooting in the region, one problem solved on location, and where I'll be.

Browse past issues →